| Center |
| Faculty of Philology, Translation and Communication |
| Departament |
| Language Theory and Communication Sciences |
| Lecturers in charge |
| Sin datos cargados |
| Met. Docent |
| Met. Avaluació |
| - - |
| Bibliografia |
| ò ARIJÓN, Daniel: Gramática del lenguaje audiovisual, San Sebastián, Escuela de Cine y Vídeo, 1976. ò CAMINO, Jaime: El oficio de director de cine, Madrid, Cátedra, 1999. ò FERNÁNDEZ DÍEZ, Federico y MARTÍNEZ ABADÍA, José: Manual básico de lenguaje y narrativa audiovisual, Barcelona, Paidós, 1999. ò KATZ, Steven D.: Plano a plano. De la idea a la pantalla, Madrid, Plot, 2000. ò KATZ, Steven D.: Rodando. La planificación de secuencias, Madrid, Plot, 2000. ò MILLERSON, Gerald: Iluminación para TV y Cine. Madrid, IORTV, 1994. ò MIRALLES, Alberto: La dirección de actores en cine, Madrid, Cátedra, 2000. ò OLSON, Robert L.:Conceptos básicos de la dirección artística en cine |
| Continguts |
| PROGRAM I. The notion of cinema management 1.-concept. 2.-the text. 3.-management procedures. 4.-the poetic cinematography. Director s occupation. II. The director. Characteristic and typologies 1.-attributions of the occupation. 2.Physica land intellectual qualities. 3.-Artistic knowledge and techniques. 4.-team management. III. The script 1.-the director and the script. 2.-the writing of the script. 3.-stages: Storyline, synopsis, treatment, dialogues and definitive version. 4.-the format. 5.-the technical script or filming script. IV. The preparation of filming 1.-visualization of the story. 2.managing the axis of production, artistic director and photographic director. 3.-breakdown of the script and visualization. 4.-guidelines for production design. 5.-planning of the sequences. 6.-elaboration of the scenes. 7.-laws of the axis. 8.-system of planning. 9.-creation of a new axis starting witht a new angle. 10.-creation of a new axis when a character crosses the camera. 11.-movements of the camera above the axis. 12.-Inserts, cut and transition planes. 13.-law of axis for subjects and actions in movement. Action 14.-sequences. V. The filming 1.-composition of the planes. 2.-illumination. 3.-decorations. focal 4.-distance. 5.-locations of the camera. 6.-angles of the camera. 7.-the spectator in connection with the angles. 8.-the perspective. 9.-alignments and strategies of planning. 10.-camera movements. VI. The management of actors |
| Objetius |
| URL de Fitxa |