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14214 Narratica Anglesa des del Segle XVIII - LL.FILOL.ANGLESA 00


Centre
Facultat de Filologia, Traducció i Comunicació
Departament
Filologia Anglesa i Alemanya
Professor responsable
Sin datos cargados
Met. Docent
Classes will consist in both a theoretical and a practical approach to the narrations proposed in the syllabus. Students will be required to participate in the discussions of the texts
Bibliografia
SET READINGS

Emily BrontÙ, Wuthering Heights
Joseph Conrad, Heart of Darkness
James Joyce, Dubliners
Virginia Woolf, Mrs Dalloway
William Golding, Lord of the Flies Fragments of novels
Laurence Sterne: Tristram Shandy (Books I and II only).
Selected excerpts from several novels (such as Samuel Richardson's Pamela, Henry Fielding's Tom Jones, Thomas Hardy's Tess of the D'Ubervilles, or J. Joyce's Ulysses) in the course dossier.

Continguts
Descripción del Curso/Contents for the course

Part I: The study of literature and narrative.
1. Defining terms: literature, fiction, narrative, novel, short story. Narratology: theory and technique of narrative
2. Critical approaches to literature: focusing on the work, on the author, on the historical context (social, cultural, ideological); psychoanalytical, archetypal, reader-oriented, feminist approaches.
3. Language and narrative. The stylistic / rhetorical analysis of fragments: exercise in explication.
Part II: Historical survey of English fiction.
4. Narrative prose before the 18th century: Malory, Nashe, Behn, Bunyan.
5. Rise and development of the novel in the 18th century: Defoe, Swift, Richardson, Fielding
6. The late 18th century: the cult of sensibility, the Gothic mode. Smollett, Sterne.
7. Maturity of the novel in the early 19th century: Austen, Scott.
8. Early and mid Victorian novel: Dickens, Thackeray, Emily and Charlotte BrontÙ, G. Eliot.
9. Late Victorian novel: Hardy, naturalistic novel, Wilde, Kipling, Stevenson.
10. Early 20th century. Towards modernism: James, Conrad, Forster. The realist tradition: Bennett, Galsworthy, Wells.
11. Modernism: experiments to represent the unconscious. D. H. Lawrence, James Joyce, V. Woolf.
12. The novel between 1930 - 1950: satire and political committment. Huxley, Waugh, Orwell; G. Greene.
13. Diveristy of modes between 1950 û 1970. Post-modernism in