Ficha técnica de una asignatura en una titulación

13885 Renaissance and Baroque in Spain - Five-year degree in Spanish Philology

Center

Faculty of Philology, Translation and Communication

Departament

Spanish

Lecturers in charge

Sin datos cargados

Met. Docent

The course will have a practical side, applying at all times histographical aspects and discussing poetic texts in a series of obligatory lectures.

Met. Avaluació

Final examination and project work

Bibliografia

BIBLIOGRAFÍA:

EDICIONES CRÍTICAS Y ANTOLOGÍAS
Antología de la poesía española del Siglo de Oro. Siglos XVI y XVII, (ed. de Pablo Jauralde y Mercedes Sánchez), Madrid, Espasa Calpe (Austral), 1999.
BLECUA, JOSÉ MANUEL (ED.),Floresta de lírica española, Madrid, Gredos, 1972, 2 vols.
BLECUA, JOSÉ MANUEL (ED.), Poesía de la Edad de Oro. I: Renacimiento, Madrid, Castalia, 1982.
BLECUA, JOSÉ MANUEL (ED.), Poesía de la Edad de Oro. II: Barroco, Madrid, Castalia, 1984.
GARCILASO DE LA VEGA, Poesías Castellanas Completas, (ed. de Elias L. Rivers), Madrid, Castalia, 1972.
GARCILASO DE LA VEGA, Obras Completas, (ed. de Antonio Gallego Morell) Barcelona, Planeta, 1983 .
GARCILASO DE L

Continguts

ESSENTIAL OBJECTIVES OF THE SUBJECT AND COURSE:
A monographical study on the origin, development and practice of the poetic movements language from XVI to XVII century in their theoretical aspects of perceptive, cultural context and in their practical aspects of stylistic and structural analysis. The method will look for a balance between the generational and historical focus and the critical-stylistic one, by means of detained reading of the most representative poets in successive generations or renovation attempts of the poetic language between Garcilaso de la Vega and Luis de Góngora,placing special emphasis on the cultural pattern and ideological polemic that this development arises. The course will have a clear practical treatment, applying the commented historical aspects to the analysis of poetic texts.

PROGRAM OF THE COURSE

1. Poetry in the first half of the XVI century.
2. Trends and mediations of the Italian innovation.
3. Garcilaso de la Vega (1501-1536) or the door to a new poetry.
4. Ascetic and mystic thought as an instigator of the poetic language maturity.
5. Fray Luis de León poetry (1527-1591).
6. San Juan de la Cruz (1542-1591).
7. Fernando de Herrera (ca. 1534 - ca. 1597).
8. Luis de Góngora (1561-1627).
9. Lope de VegaÆs vitalist synthesis (1562-1635).
10. Francisco de Quevedo and Villegas (1580-1645).