Center |
Faculty of Philology, Translation and Communication |
Departament |
Spanish |
Lecturers in charge |
Sin datos cargados |
Met. Docent |
Met. Avaluació |
Final examination - - |
Bibliografia |
BIBLIOGRAFÍA BÁSICA DE REFERENCIA. * La bibliografía específica sobre obras y autores se dará en clase. 1. Bellini, Giuseppe: Historia de la Literatura Hispanoamericana, Castalia, Madrid, l987. 2. Benjamin, Walter: "París, capital del siglo XIX". En Poesía y capitalismo. Iluminaciones I , Madrid, Taurus, 1980. 3. Berman, Marshall: Todo lo sólido se desvanece en el aire. México, FCE, 1990. 4. Goic, Cedomil (coord.): Literatura Hispanoamericana. Historia y Crítica, Vol. II y III, Editorial Crítica, Barcelona, l988. 5. Henríquez Ureña, Pedro Las corrientes literarias en la América hispánica., Fondo de Cultura Económica, México, l976. 6. Fernández, Teodosio et al.: Historia d |
Continguts |
OBJECTIVES OF THE COURSE: 1-The subject has as central objective to follow modernization processes and changes in narration modes that conform diverse trends in Latin-American culture. 2 û To create a study of changes in Latin-American cities through a schematic historical journey of the urban development from late XIX century until the current megalopolis. 3 - To trace a panoramic of Latin-American narrative articulated by the urban topic transformations from Modernism at the End of XIX Century, until the most recent tendencies in the 90s. 4 - To propose readings that show these modern transformations and encourage the meditation about the urban space problem and changes in their inhabitants subjectivities represented in the stories and novels. 1 - Introduction: 2 û Latin-America: images and brief history of Latin-American cities: a. Bourgeois cities: modern transformation of the End of Century: b. From Metropolises to the Megalópolis: 3 - Narrative and city: The modernized city: a. Around the century end: the ôcleaned-upö city: b. Aesthetic autonomy and market: the writer's work 4 - Elegant city and suburb in the 20s: a. The forest of paper. b. The avant-garde city: 5 - Stranges in the city: Latin-American narrative from half century: a. Jorge Luis Borges: narrative art and magic. b. Juan Carlos Onetti: uneasiness in the city. c. Adolfo Bioy Casares: the bur |