| Center |
| Faculty of Philology, Translation and Communication |
| Departament |
| Spanish |
| Lecturers in charge |
| H5073 - NURIA GIRONA FIBLA |
| Met. Docent |
| Met. Avaluació |
| Final examination - - |
| Bibliografia |
| I. LA NARRATIVA OBRAS DE CONSULTA GENERAL: R. BOSCH, La novela española del siglo XX. Nueva York. Las Américas. 1971. J. DE ENTRAMBASAGUAS (con la col. De Mª del Pilar Palomo), Las mejores novelas contemporáneas. Barcelona. Planeta. S. M. HART, White Ink. Essays on Twentieth-Century Feminine Fiction in Spain and Latin-American. London. Tamesis Books, 1993. E. G. DE NORA, La novela española contemporánea, Madrid, Gredos, 1958-1962, 3 vols. QUIMERA, Nº 214-215, Abril 2002. |
| Continguts |
| CONTEMPORARY WRITING. The course consists of two parts: I. CONTEMPORARY NARRATIVE. Lecturer: JOAN OLEZA. 1. The End of the century. 2. Decadence and Modernism. 3. The generation of the 98 and the intellectual novel. 4. Symbolism and "agonismo" in Unamuno. 5. From the XIX century to the Vanguards. 6. Gabriel Miró and the lyrical novel. 7. The dehumanized vanguard. Francisco Ayala. 8. Towards the synthesis of vanguard and commitment. R.Mª del Valle Inclán. 9. The exile. Max Aub. 10. From the postwar to the new vanguard of the 60s. Luís Martín Santos. 11. Post-modernism: Eduardo Mendoza. 12. The millennium's age. A new realism: Antonio Muñoz Molina. II. CONTEMPORARY POETRY. LECTURER: ARCADIO LÓPEZ-CASANOVA 1. - signs of the epoch and poetic of modernity. 2. - scenic impressionism and symbolization processes: Antonio Machado. 3. - Towards the ônaked wordö. Juan Ramón Jiménez. 4. - Poetry, myth and archetypical figuration: Federico García Lorca. 5. - Between purity and revolution. ôNew romanticismö and love anthology: Miguel Hernández. 6. - A word on historical reason. The testimonial lyric: José Hierro. 7. - Poetry of the knowledge and symbolic realism. 8. - Break-off signs. Postmodern writing and ônovísimaö aesthetics: Pere Gimferrer, "Arde el mar". |